Celebrating The Spirit Of Womanhood 3

My art journey began 2014 age 57.
I painted 13 angels in a row. It was all channelled from divine source.
In 2019 an invitation from Italy came to recieve michael angelo International art prize. Since then its been amazing.
Travelling to new countries recieving 26 international art prizes. Uk ambassador qatar art festival. Judging 4 online art exhibition for galleries. Fashion award in italy and modelling on catwalks in dubai milan qatar my designs. Moving onto fashion.
Featured in many art books.
Invited as guest artist often.
Latest award Great master artists 2024.
Next stop is india with unicef organisation mzh. Mission zero hunger.
Where my work will be auctioned.
Life changing the opportunies keep coming so at 67 im grateful to still enjoy a wonderful life through art.

Ms BELINDA CHUA  who graduated from Nanyang Academy of Fine Arts, and is also an Art Curator . She has won several awards including IBM Art Award, Australian Bicentennial Art Award, The UOB Painting Of the Year Distinction Award, 3rd Prize Singapore National Day Painting Art Award etc. Also participated the First ASEAN Youth Sculpture workshop and exhibition at Thailand. Participated in numerous group art exhibition in Singapore, Japan, Korea, Thailand, Malaysia, Indonesia, Vietnam, Cambodia, China and China Taiwan etc.
– Founder of Art Action Cultural Arts Centre
-Asia Art Alliance curators
– The Asia Artists Association, Vice Head of AAAM Affiliate (Singapore)

Diana LoMeiHing was born in Hong Kong, moved to Italy at the age of ten. In 1978 she graduated with High Honors in painting at the Brera Academy of Fine Arts in Milan. She has exhibited in solo and collective exhibitions in galleries in Italy and many other countries around the world since 1979. She has been included since 1988 listed as a contemporary artist in the Modern Art Catalog by Giorgio Mondadori Editori.

Even though Diana has always been a full-time professional artist, in 1982, she wrote a Chinese cooking book that was a best seller for several years in the world: “186 RECIPES AND EASY METHOD FOR CHINESE COOKING a/k/a THE JOY OF CHINESE COOKING(Arnoldo Mondadori 1982), which has been translated into four languages and reprinted in countless editions.
At different times in her career she wrote screenplays and provided on-screen narration in documentaries for RAI, Italy’s national television station as well as other prominent companies. She was also the principal actor and co-writer of UN SALTO IN CINA, a 52-minute documentary to promote Chinese culture for Swissair. In addition she has written many articles, reviews and poems for newspapers, magazines, books and catalogs. She held numerous lectures and spoke at many conferences related to Chinese art and culture in Milan, Rome and other Italian cities. She also has illustrated books and covers for several Italian Publishers and She is moderator of AIAPI (International Association of Plastic Arts-UNESCO OFFICIAL PARTNER) Industrial Design) to help to build a textile design industry modeled on those lines.
Diana’s paintings are in private collections in the USA, Italy, China, Korea, Macao, Switzerland, Germany, Austria, Canada, Belgium, Hong Kong, Spain, Japan, et al. Diana is honored to have had her art collected by the late Zhao Ziyang, the Premier of China from 1980 to 1987.
Her work has also been collected by Chen Baoshun and Wang Dong, each formerly China’s Consul Generals in Milan Italy.

Dr Dipti is a dentist and self-taught, multimedia artist based in Pune, India. She graduated with a Bachelor of Dental Surgery from Government Dental College in Mumbai and further went on to do postgraduation at the University of Queensland in Australia, after which she was a lecturer at the Government Dental College in Mumbai for two years. Subsequently she started her own dental practice in Pune. Art for her was a strong passion. Having no formal training she learned to experiment with different media. As a dentist -turned artist, she quotes “I find solace in intersection of art and philosophy. My works are an ode to beauty of imperfection inviting viewers to contemplate the transformative power of embracing flaws. With a strong foundation in dentistry, I discovered a deeper creative calling leading to exploration of various art forms. As a multi-disciplinary artist, I try to seamlessly merge the boundaries of stained-glass, oil, digital, acrylic and pen art. My art work embody the principles of Kintsugi and Wabi-sabi. Every break in the glass is unique. When the broken pieces come together the outcome is uniquely beautiful. I find mosaic, like Kintsugi a metaphor for life. Rather than hiding imperfections we accept them and find new perspectives through them. Each piece is a testament to transformative power of embracing flaws and finding elegance in the broken. My art is a celebration of flaws and scars in life.” Her works have been exhibited in India and abroad. Her latest milestone includes selection of “Sharbat Gula’s” mosaic portrait for inclusion in renowned photographer Steve McCurry’s portfolio to be displayed in his exhibitions.

Elena Tereshkova was born in Krasnodar on 07/25/1977.
Hobbies: travel, self-development, psychology, fashion, theatre, ballet.
Participant of exhibition projects since 2018, more than 200 international exhibitions.
Member of the jury of international art competitions in India and Argentina.
Participant of the Biennale in Italy, Serbia, Lithuania and Ecuador.
Winner of international prizes and awards in the field of art.
She has held solo exhibitions in Russia, Italy, South Korea and Mexico.
Participated in the 2nd LIBERARTE International Symposium on Sculpture and Painting in Buenos
Aires, Argentina.
Participant Of Art Fairs:
“Red Dot Miami”, USA.
“CARROUSEL DU LOUVRE” France.
“ART BASEL” Switzerland.
“GLOBAL ART FAIR” Singapore.
“ART DUBAI” UAE.
His works are in private collections and museums in South Korea and Philippines.

Sanjukta is a Mumbai based Well known Eminent Artist,  a painter, a dreamer, who cannot but yearns to create something new every moment of her life! She is an MBA  in Sales and Marketing with a Diploma in International Business. She took to her true inner calling for Art, after a short promising stint in the Corporate sector. Blessed with a keen sense of aesthetic dexterity in various skills and absolute command over the medium she uses, she has been able to carve a niche for herself in the present Contemporary Art scenario.

My Art Journey
It all began when I was a child, growing up with my late father, Martin Fu, an oil painter. He showed me how art could transport one to another world. We were very poor and could not afford lots of things. I took flight into a world of fantasy and up till today, almost 70 years later, still return to this safe place, where paint, paper and canvases have proven my best friends.

I have been blessed to have had the opportunity to participate in over 150 offline exhibitions and have had 16 solos. Plus received over 25 international awards. In fact, I have stopped counting. The numbers dont matter anymore.

To me, all this is sheer Grace. Or as swamiji would say ‘prasad’.

Now at 73, art features more in my daily life than ever before. I am immersed in art. I am in art and art is in me.

And I thank all those who have made this journey possible. Kind folks like my curator- artist friend, Sanjukta Barik.

India is an extremely important chapter of my artistic life, where my artistic career came to a decisive turning point. I came to India as a graphic designer, but under the strong influence of this colorful, marvelous culture and interesting people, I left India as a painter of Indian women.

After leaving India in 2019, I have not been able to reach for a brush for several months, with a permanent feeling that I have left all my inspirations and themes in India. I felt like a fallen leaf. It was a very critical period for me.
Now back in India, i continue with my artistic Journey.

Interestingly, after some time, exactly that “fallen leaf feeling” turned out to be the new inspiration for me to paint again. From one side, I wanted to express that, in lieu of motivation and themes, this woman artist was still “on the floor”, artistically knocked out, but on the other side I wanted to demonstrate that for me the way out from that position was to turn to myself, to my womanhood, as a new theme.

ART JOURNEY
I have been drawing since I was a child. I majored in humanities at university. During that time, I felt the desire to draw again. When I was in junior high school, I had a hard time with relationships. I started to teach myself to draw in order to heal those wounds, and to heal others as well.

Khursheed is an accomplished Indian visual artist and a graphic designer based in Muscat, Oman. Her versatile portfolio spans captivating portraits, stunning landscapes, and innovative mixed media works, often inspired by Oman’s rich culture and heritage. Known for her exceptional finesse, she blends realism with contemporary techniques, creating art that resonates deeply with collectors worldwide. A recipient of prestigious awards, including recognition from the Korean Embassy in Oman and India’s Lalit Kala Academy, Khursheed’s works have been featured in numerous exhibitions both nationally and internationally.

A meditative Exploration of Nature’s Silent Symphony
nI the realm of art, there exist creators whose works transcend the conventional boundaries of perception, beckoning viewers into a world of enchantment and introspection. Among these visionary artists stands Kusum Sharma, whose profound connection to nature breathes life Into her mesmerizing canvases. Drawing inspiration from the silent symphony of colors found in the natural world, her artwork is an evocative exploration of the interplay between subtle hues and concealed geometries.
the core of Kusum Sharma’s oeuvre Iles a deep reverence for nature’s intrinsic beauty.
Her paintings seem to embody a sense of tranquility, emanating a quietude that envelops viewers ni an ethereal embrace. Through her meticulous use of color, Kusum conjures the serenity of a gentle breeze rustling through a lush meadow, or the soft glow of sunlight filtering through a dense forest canopy. Her palette flows seamlessly, effortlessly bringing forth the essence of nature’s splendor.
Yet, amidst the subtle interplay of hues, something intriguing unfolds. Within the folds of her artistic creation, human figures emerge mysteriously. Veiled amidst the landscape’s intricacies, they almost seem like phantoms, inviting contemplation on the human connection to the natural world. These enigmatic apparitions serve as windows into the emotional landscapes of Kusum Sharma’s mind, allowing viewers to connect with the profound depths of her thoughts and emotions.
Moreover, hidden geometry lurks beneath the surface of her artwork, revealing itself only upon closer inspection. Delicate patterns and intricate designs dance beneath the colors, creating a harmonious fusion between nature’s organic chaos and the ordered structures of geometry. This symbiotic relationship embodies a profound philosophy – the coexistence of spontaneity and structure in both art and life.
Kusum Sharma’s artistic process is nothing short of a meditative journey. Each stroke of her brush, each infusion of color, and each hidden geometry is a testament to her unwavering commitment to the craft. Her approach to art is a testament to her dedication and hardworking nature, elevating her paintings to a new dimension of expression and meaning.
In experiencing Kusum Sharma’s works, one is transported to a different realm altogether. It is a realm where nature speaks in whispers, where colors resonate in harmony, and where human figures and hidden geometries exist ni unison. Through her art, Kusum Sharma invites us to confront strange landscapes, not only within her canvases but also within ourselves,
urging us to delve deeper into our connection with the natural world and the underlying mysteries of life.
In conclusion, Kusum Sharma’s art is a profound and evocative exploration of nature’s beauty and the enigmatic interplay of colors, human forms, and concealed geometries. It is a journey of self-reflection and wonder, inviting viewers to immerse themselves ni the artist’s meditative world and contemplate the mysteries of existence. Her works stand as a testament to the transformative power of art, inspiring us to find solace and inspiration ni the silent symphony of nature’s embrace.

Liv S.M. Evensen from Oslo, Norway intensively organizes personal exhibitions of paintings (and other art expressions), participates in international foreign exhibitions and art festivals, in different countries. The artist’s work has been intuitively centered around various themes, co-created with Eternity. Between 2005-2020, her channelled writings “Tales of Transformation” was awarded several awards. She has also been an active participant in William Faulkner Literary Festivals, Words and Music between 2010-2017, and held international speeches and creative workshops in the transpesonal psychology field between 2000-2023. In 1992, she graduated with the Bachelor of Arts in expressive arts in multicultural communications, in 1990 she graduated from media and communication studies and in 1986 graduated in drama, in Oslo, Norway. Between 2012-2018, she studied painting at Nydalen Art College in Oslo, and one year with Ingrid Thortveit Art, and held children‘s creative workshops till 2021. She is a member of the Oslo Art Guild, and Int‘ Assoc. for The Study of Dreams. www.sensoul.info.

I am Mahmuda Assafra Mim.
I am a proud women visual artist based In Bangladesh.
From childhood I started my cultural Society with Classical dance before my academic school journey. At the age of three and half I stood as a dancer in front of Society. I was engaged with dance for more than 25 years of my life.
But from childhood I have a special fascination in painting and drawing. I have started my education in Fine Arts at shanto Mariam University of creative technology, Dhaka. I completed my Honers and Masters in fine Arts from this University with first class. In my life I have achieved many Opportunities, awards, and certificates in Nationally and Internationally.
From then to till I look never back. My Artist pathway still continues.
I believe one thing that there is no destination for Art. It’s all about the journey.
A Journey for a lifetime.
Mahmuda Assafra Mim
Visual artist,curator,lecturer. Art teacher.
Uttara, Dhaka
Bangladesh

ART JOURNEY
As a passionate artist, my creative voyage has been a winding path of discovery, growth, and self-expression. From the early days of experimentation to the present moment, my art has been a reflection of my inner world, shaped by experiences, emotions, and observations.

With each brushstroke, I’ve sought to capture the essence of life, exploring themes of nature, humanity, and the interconnectedness of all things. Through various mediums and techniques, I’ve pushed the boundaries of my creativity, embracing challenges and celebrating triumphs.

This journey has been marked by milestones, from participating in National & International exhibitions to receiving recognition for my work. Yet, the true reward lies not in external validation, but in the joy of creating, the thrill of bringing ideas to life, and the connection with others who resonate with my art.

As I continue on this path, I’m excited to see where my art will take me next. I invite you to join me on this journey, to share in the beauty, the inspiration, and the creative expression that fuels my soul.

In my painting I represent a little of my life, my dreams, my frustrations, each work is a little bit of myself in colors. My work is figurative, mainly human figure, I am a self-taught artist with 20 individual exhibitions and about 300 group exhibitions. I coordinate virtual and face-to-face exhibitions under the names of ARTE SIN FRONTERA and MAE. MEXICO

Talaiezadeh ,citizen of Iran,
Educated in English language teaching and general linguistics in MA, Poetess, teacher, International Multi_Awarded, art judge, art adviser, owner of professional theoretical and practical drawing and painting courses and coaching with an excellent grade from the international technical and professional organization in Iran, owner of professional theoretical and practical drawing and painting courses and coaching with an excellent grade from the in Iran Islamic Guidance Department, Iran
Member of the International Institute of L’art-Iran.Talaiezadeh’s works were showcased in exhibitions and festivals, in galleries and museums,..such as: Argentina, Hungary, Egypt, Ecuador, Iran, India, Iraq, Italy ,Portugal, Poland, Pakistan, Philippines, Peru, Spain, South Korea,Turkey, USA, Netherlands, Norway, Mexico, Morocco, Malaysia, Mexico, North America, etc. Her many paintings have been published in different international newspapers and magazines, too

Michelle Schulz’s art is an invitation—bold, vibrant, and alive with a pulse of colour and emotion. British-born and now based in Singapore, she moves beyond mere representation, weaving a dance between abstract realism and the untamed energy of her wild subjects.
Originally trained in fashion design at a prestigious London college, Michelle found her truest expression in fine art. Her paintings radiate—an interplay of acrylic and oil, where the deliberate placement of warm and cool tones ignites each canvas with depth and luminosity. Every brushstroke carries a sense of urgency, a heartbeat echoing the stories of the animals she portrays.
Drawing from the richness of her surroundings and a deep-rooted nostalgia, her work is more than an aesthetic experience—it is a conversation. A challenge. A call to look deeper. With an instinct for capturing both the joy and fleeting fragility of life, Michelle’s paintings transcend the ordinary, offering a moment of connection in an ever-changing world.
An internationally recognized artist, Michelle regularly exhibits her work in both local and overseas exhibitions, sharing her vision with audiences across different cultures. Her work continues to spark dialogue and bring new energy to spaces, inspiring collectors and art lovers alike.

An economist turned painter and a brilliant colourist with a strong individualism in her work , Nayanaa Kanodia can be considered to be the pioneer of the genre of L’Art Naif in India. She has held innumerable shows in India and abroad.
Her paintings are in the collection of major art collectors and corporate houses all over the world.

Musee International D’Naif Art in Paris permanently displays her paintings.
She has exhibited and demonstrated her painting techniques in Victoria and Albert Museum in London.
She was the first Indian whose paintings were selected in Paintings In Hospitals.UK.
She has been featured in an international publication, Women in Art by Reinhard Fuchs, a rare honour for any Indian artist.
She was chosen from all the artists of The Commonwealth Countries to have a solo show in their newly renovated complex in London .
Impressed with the social messages being conveyed in her paintings, a consortium of schools in Los Altos, U.S.A. is using her work as a medium of instruction to their students.
She has recently been appointed as a juror for PrismaArt Prize for their Rome Dividere in Europe. She is the first Indian on their panel which is an honour not only for her but also for her country.
She is associated with many charitable societies, gives talks and conducts workshops and presentations on art in various organizations and universities. She is also a judge in art competitions. She has attended Art Camps in India, London, Sweden, Italy, Moscow, Greece, Bangkok and Cambodia.
Her work is characterised by the air of whimsy, flat bright polished surfaces and the extraordinary plethora of intricately worked details and patterns.
Nayanaa says “When the world which disturbs me and the world of which I have a deep understanding are amalgamated and absorbed , a new artistic dialect is created. My paintings intend to make you feel that you are watching a snapshot of life at maximum preposterousness , exuberant and bursting with energy. The conversation I hope to create in my work is a certain truth of life and on a deeper level, a well thought philosophy. Individuals may interpret my paintings in vastly disparate ways and each view will be equally logical and plausible, thought provoking and intriguing.My work delights the viewer with its whimsy yet contains the most important social messages of our lives.”

Rebeca Dorich is a Lima-based artist, known internationally for her community visual art proposals, most of them inspirational and playful actions linking people’s creativity through uplifting intentions. Rebeca is also an art blogger engaging art and culture lovers, art curators, collectors, and artists as a community.

My Art Journey
I, Sangeeta is a contemporary artist based in Gurugram, and for the 30 years, I have been evolving in art from experimental rather than theoretical base. Initially, my expression of art was driven by figurative forms balanced with abstract architectural elements, but, over the years, it has matured into a harmonious incorporation of nature. It shift in imagery in my work is discernible in her measured intuitive steps towards a compositional style of a variable with deep perspective and mythological insights.
Today, my work echoes around the turtle, itself a creature steeped in allegory and myth, dating back to almost when the world began. My interest in this little-sought species was kindled during a visit to Sri Lanka in 2012. Representing India at the SAARC Artist Camp held in Colombo, I visited a turtle breeding farm, and was fascinated by this creature, whose resilience even survived the wrath of the Tsunami of 2004.
Other elements of nature too find strong presence in my work. Fish, birds, trees, plants, leaves, and flowers (especially lotuses) take on vivid imagery in her artistic expression. Also reflected in my work and palette is my strong commitment to ecology and sustainability. Working with NGOs on the environmental concerns, including climate change and global warming, I passionately believes an artist must contribute to the society by spreading awareness on critical issues through his or her best form of expression –their art. My work includes incorporates elements of Feng Shui, Vaastu Shastra and Numerology, and the conscious energy of divinity and spirituality is beautifully reflected too.
Art is not solely the prerogative of the refined academic elite, feels I’m a self-taught artist. I believe to be an artist, one does not need to attend art school. What is needed is imagination from within, persistence and dedication, and the vision to transform an experience or emotional connection into a work of art. The artwork, I believes one should not need an explanation; it should speak to the viewer, or be felt by the viewer. Today, I shares my love of beauty and art with students of different gender, ability and backgrounds, ranging in age from 5 to 83 years, as I works for 8 to 9 hours at a stretch, and that, despite having learned more than 40 varieties of art, I continues to learn each day. My works fills the viewer with wonder, a marvellous sense of upliftment and the route of self-expression through re-interpretation and reinvention creates an interesting resonance with the world around us, as I marries realism with elegant aesthetics to create masterpieces that are thought-provoking, profound and yet beautifully restful. I have done ten solo shows and has participated in more than two hundred group shows organized across the country and oversea. My works are part of many significant places like Visitor’s Lounge at Prime Minister of India’s residence, also my works can be found in several private and public collections in India and abroad. The aim of art is to represent not the outward appearance of things, but their inward significance.

I would like to express my sincere gratitude to Sanjukta Ji, a wonderful artist and a lover of Japan, for inviting me for this precious opportunity.

I first encountered art when I was a child, reading the World Literature Collection every day and seeing the works of world-famous painters, mainly Impressionists. The illustrations for the stories in that book were done by painters who were famous in Japan at the time. I was also blessed with great mentors. I had the opportunity to meet teachers such as Japan’s leading painters, sculptors, craftsmen, and world-famous film camera directors. This broadened my horizons, and I began to work not only in painting, but also in sculpture and video. I was also blessed with a good environment, with professional musicians and calligraphers as relatives. I am very grateful for meeting my teachers.

Last year, I became interested in the collective consciousness that humanity shares. It was a good opportunity to imagine what we might think together to solve the various problems that are occurring in the world, and what we humans want together. In other words, I didn’t want my artwork to be merely on an individual level. I have been putting that idea into my works over the last year. I would like to introduce two of them today.

If you look closely at the red piece, if you turn it sideways, you can see the figure of a Native American. In Japan, they were called Indians for a long time. Of course, they were not Indians, but they were called that in Japan. This has now been corrected. As the title says, our future is definitely moving towards the Cape of Hope, and I believe that when we can be convinced of this, we can definitely move in that direction.

You can see various figures in the blue painting. This is an image of the woman on the far right carrying her dream in her bag. Everyone wants peace. However, Japanese people have been led to believe that peace will not come. However, more and more people are starting to wake up to this. I am very grateful to the country of India. Learning Sanskrit and the Vedas is a treasure in my life. I am truly happy that India and Japan have such a close relationship.

Biography: Cecilia Kaoru, born and raised in Tokyo, currently living in Kamakura, multiple international award-winning artist: Leonardo da Vinci International Award, fields of work: painting, sculpture, video art.

Cecilia is a student of renowned Japanese sculptor and art educator Sato Churyo and painter Fumio Sakamoto.

Smita has been a printmaker from the beginning of her career. Along the way she started adopting other mediums. Assimilating will be a more apt word for her adoption of mediums as her works still continue to convey a lot of character from her printmaker self. Her forms are simple, subjects are simpler and textures so remind of a well curated colograph plate. Extremely different but very organic in nature and approach.
Smita’s works make one long to touch the texture and feel the surface, the palette, subject and texture together make the impact very earthy. That’s how her works connect each time and everytime one looks at them never becoming old.

 

Artists pass their whole life working on their Canvas or in making a Sculpture for their own creative urge and their own peace of mind. For fulfillment of this desire they go on giving life to their imagination –what they see around them in their environment and in the society -they try to put it on a canvas or make a three dimensional , beautiful work of Art. Early
Society based on Consumerism has lost importance of Relationships. The bond of love is weak. I have given importance to these basic values and my work successfully show the movement of middle class from relationships progressing towards a better and loving world. My creations- even mini sculptures created by me are very attractive, with smooth finish and beautiful details. My

sculptures exhibit passions of a middle class family of present times. I portray reality. I use Wood, Bronze and Fibreglass. These are my thoughts, my emotions that I convey in my Sculptures.

 

Sushma Rajbhandari and her work:
Sushma Rajbhandari ,one of the renowned contempory Nepali artists,present spiritual subject matters using modern technique of art. She strikes a balance between tradition and modernity. Her artworks grow out of her cultural roots and go beyond established trends of art.She presents archetypesin visual form.Although she experimented with and practiced various contents and forms,she focused on Lord Ganesh’s figure using the expressionist form.She links the world with divinity exploring universal spirit and oneness of feeling and underlined condition among all beings. Her paintings appeal to cooperation,harmony and peace in society. After mastering the realistic technique,she altered the form using distored and unusual color and images.The artist also experimented with melting images,juxtaposing contrary shapes and free association of figures creating a dreamlike reality.At present ,she has also made abtract forms having spiritual overtones.

ART JOURNEY
Freedom is always felt by the heart, what you feel about the particular topic you draw it in your canvas, painting holds no boundaries. I draw what my heart tells me, it’s like a game of question and answer, you ask yourself what it means and you give yourself answers without being hesitant. The Artwork “Umeed ki Kiran” (Ray of hope) and “Struggle” shows the people struggleing to keep their freedom by doing what they like and want in their life. -Mrs. Tabassum Yusuf

 

Vimmi Indra is an accomplished Indian artist known for her evocative and expressive compositions. She pursued a Bachelor in Fine Arts (BFA) from the Government Institute of Fine Arts, Jabalpur, where she developed a distinctive visual language that blends realism with abstraction. Her work explores themes of movement, joy, aspiration, and human emotions, often depicted through dynamic cityscapes, lyrical birds, and intimate figurative studies.

Her contributions to the art world have earned her several prestigious accolades, including the Utthan Samiti Award (2018) and IBN 7’s Guru Shishya Award (2012). In 2019, she was felicitated by the Hon’ble President of India during an artists-in-residence camp at the Rashtrapati bhawan.

Vimmi Indra continues to refine her artistic voice, creating compositions that captivate the viewer with their vibrancy, depth, and storytelling, offering a delicate balance between reality and imagination.

There is something about distant hearing in Vipta Kapadia’s landscapes – an immortalization of deep silence becoming the quintessence of primordial sounds. This makes her landscapes scripted with broad gestural lines and strokes that educe feminine energy. Fire for absolute resilience occupies her being while she engages in painting the vastness of these distance landscapes. Embodiment of black in diminishing grey comes as effortless as palpable green recedes into the ocher gold. The land begins to go deeper where the water ebbs and a lesser known village surfaces.

Wendy, an artist from Singapore, rediscovered her passion for painting after years away from the canvas. Through art, she found a powerful means of self-expression and now shares this journey with others through her art expression workshops, where she integrates art as a healing modality to help individuals gain deeper insights into themselves.

Her abstract works, primarily in acrylic on canvas, have been exhibited internationally. Formerly trained in graphic design, Wendy paints intuitively, allowing emotions and spontaneity to guide her creative process. She is also exploring digital art—partly out of artistic curiosity and partly due to the ever-growing challenge of storage space at home.

A member of various art communities, Wendy aspires to one day hold her own solo exhibition.

Affiliations:

Women’s Artist Association Singapore
International Professional Art Association (VIPAA), New York, USA
Fantapia International Art Group (FIAG), South Korea